/*

TiMidity -- Experimental MIDI to WAVE converter

Copyright (C) 1995 Tuukka Toivonen <toivonen@clinet.fi>

This program is free software; you can redistribute it and/or modify

it under the terms of the GNU General Public License as published by

the Free Software Foundation; either version 2 of the License, or

(at your option) any later version.

This program is distributed in the hope that it will be useful,

but WITHOUT ANY WARRANTY; without even the implied warranty of

MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the

GNU General Public License for more details.

You should have received a copy of the GNU General Public License

along with this program; if not, write to the Free Software

Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.

*/

/* This is for use with the SDL library */

#define SDL

#include "SDL_config.h"

#include "SDL_endian.h"

/* When a patch file can't be opened, one of these extensions is

appended to the filename and the open is tried again.

*/

#define PATCH_EXT_LIST { ".pat", 0 }

/* Acoustic Grand Piano seems to be the usual default instrument. */

#define DEFAULT_PROGRAM 0

/* 9 here is MIDI channel 10, which is the standard percussion channel.

Some files (notably C:\WINDOWS\CANYON.MID) think that 16 is one too.

On the other hand, some files know that 16 is not a drum channel and

try to play music on it. This is now a runtime option, so this isn't

a critical choice anymore. */

#define DEFAULT_DRUMCHANNELS ((1<<9) | (1<<15))

/* A somewhat arbitrary frequency range. The low end of this will

sound terrible as no lowpass filtering is performed on most

instruments before resampling. */

#define MIN_OUTPUT_RATE 4000

#define MAX_OUTPUT_RATE 65000

/* In percent. */

/* #define DEFAULT_AMPLIFICATION 70 */

/* #define DEFAULT_AMPLIFICATION 50 */

#define DEFAULT_AMPLIFICATION 30

/* Default sampling rate, default polyphony, and maximum polyphony.

All but the last can be overridden from the command line. */

#define DEFAULT_RATE 32000

/* #define DEFAULT_VOICES 32 */

/* #define MAX_VOICES 48 */

#define DEFAULT_VOICES 256

#define MAX_VOICES 256

#define MAXCHAN 16

/* #define MAXCHAN 64 */

#define MAXNOTE 128

/* 1000 here will give a control ratio of 22:1 with 22 kHz output.

Higher CONTROLS_PER_SECOND values allow more accurate rendering

of envelopes and tremolo. The cost is CPU time. */

#define CONTROLS_PER_SECOND 1000

/* Strongly recommended. This option increases CPU usage by half, but

without it sound quality is very poor. */

#define LINEAR_INTERPOLATION

/* This is an experimental kludge that needs to be done right, but if

you've got an 8-bit sound card, or cheap multimedia speakers hooked

to your 16-bit output device, you should definitely give it a try.

Defining LOOKUP_HACK causes table lookups to be used in mixing

instead of multiplication. We convert the sample data to 8 bits at

load time and volumes to logarithmic 7-bit values before looking up

the product, which degrades sound quality noticeably.

Defining LOOKUP_HACK should save ~20% of CPU on an Intel machine.

LOOKUP_INTERPOLATION might give another ~5% */

/* #define LOOKUP_HACK

#define LOOKUP_INTERPOLATION */

/* Make envelopes twice as fast. Saves ~20% CPU time (notes decay

faster) and sounds more like a GUS. There is now a command line

option to toggle this as well. */

/* #define FAST_DECAY */

/* How many bits to use for the fractional part of sample positions.

This affects tonal accuracy. The entire position counter must fit

in 32 bits, so with FRACTION_BITS equal to 12, the maximum size of

a sample is 1048576 samples (2 megabytes in memory). The GUS gets

by with just 9 bits and a little help from its friends...

"The GUS does not SUCK!!!" -- a happy user :) */

#define FRACTION_BITS 12

#define MAX_SAMPLE_SIZE (1 << (32-FRACTION_BITS))

typedef double FLOAT_T;

/* For some reason the sample volume is always set to maximum in all

patch files. Define this for a crude adjustment that may help

equalize instrument volumes. */

#define ADJUST_SAMPLE_VOLUMES

/* The number of samples to use for ramping out a dying note. Affects

click removal. */

#define MAX_DIE_TIME 20

/* On some machines (especially PCs without math coprocessors),

looking up sine values in a table will be significantly faster than

computing them on the fly. Uncomment this to use lookups. */

/* #define LOOKUP_SINE */

/* Shawn McHorse's resampling optimizations. These may not in fact be

faster on your particular machine and compiler. You'll have to run

a benchmark to find out. */

#define PRECALC_LOOPS

/* If calling ldexp() is faster than a floating point multiplication

on your machine/compiler/libm, uncomment this. It doesn't make much

difference either way, but hey -- it was on the TODO list, so it

got done. */

/* #define USE_LDEXP */

/**************************************************************************/

/* Anything below this shouldn't need to be changed unless you're porting

to a new machine with other than 32-bit, big-endian words. */

/**************************************************************************/

/* change FRACTION_BITS above, not these */

#define INTEGER_BITS (32 - FRACTION_BITS)

#define INTEGER_MASK (0xFFFFFFFF << FRACTION_BITS)

#define FRACTION_MASK (~ INTEGER_MASK)

/* This is enforced by some computations that must fit in an int */

#define MAX_CONTROL_RATIO 255

typedef unsigned int uint32;

typedef int int32;

typedef unsigned short uint16;

typedef short int16;

typedef unsigned char uint8;

typedef char int8;

/* Instrument files are little-endian, MIDI files big-endian, so we

need to do some conversions. */

#define XCHG_SHORT(x) ((((x)&0xFF)<<8) | (((x)>>8)&0xFF))

# define XCHG_LONG(x) ((((x)&0xFF)<<24) | \

(((x)&0xFF00)<<8) | \

(((x)&0xFF0000)>>8) | \

(((x)>>24)&0xFF))

#if SDL_BYTEORDER == SDL_LIL_ENDIAN

#define LE_SHORT(x) x

#define LE_LONG(x) x

#define BE_SHORT(x) XCHG_SHORT(x)

#define BE_LONG(x) XCHG_LONG(x)

#else

#define BE_SHORT(x) x

#define BE_LONG(x) x

#define LE_SHORT(x) XCHG_SHORT(x)

#define LE_LONG(x) XCHG_LONG(x)

#endif

#define MAX_AMPLIFICATION 800

/* You could specify a complete path, e.g. "/etc/timidity.cfg", and

then specify the library directory in the configuration file. */

#define CONFIG_FILE "timidity.cfg"

#define CONFIG_FILE_ETC "/etc/timidity.cfg"

#define CONFIG_FILE_ETC_TIMIDITY "/etc/timidity/timidity.cfg"

#if defined(__WIN32__) || defined(__OS2__)

#define DEFAULT_PATH "C:\\TIMIDITY"

#else

#define DEFAULT_PATH "/usr/local/lib/timidity"

#endif

/* These affect general volume */

#define GUARD_BITS 3

#define AMP_BITS (15-GUARD_BITS)

#ifdef LOOKUP_HACK

typedef int8 sample_t;

typedef uint8 final_volume_t;

# define FINAL_VOLUME(v) (~_l2u[v])

# define MIXUP_SHIFT 5

# define MAX_AMP_VALUE 4095

#else

typedef int16 sample_t;

typedef int32 final_volume_t;

# define FINAL_VOLUME(v) (v)

# define MAX_AMP_VALUE ((1<<(AMP_BITS+1))-1)

#endif

typedef int16 resample_t;

#ifdef USE_LDEXP

# define FSCALE(a,b) ldexp((a),(b))

# define FSCALENEG(a,b) ldexp((a),-(b))

#else

# define FSCALE(a,b) (float)((a) * (double)(1<<(b)))

# define FSCALENEG(a,b) (float)((a) * (1.0L / (double)(1<<(b))))

#endif

/* Vibrato and tremolo Choices of the Day */

#define SWEEP_TUNING 38

#define VIBRATO_AMPLITUDE_TUNING 1.0L

#define VIBRATO_RATE_TUNING 38

#define TREMOLO_AMPLITUDE_TUNING 1.0L

#define TREMOLO_RATE_TUNING 38

#define SWEEP_SHIFT 16

#define RATE_SHIFT 5

#define VIBRATO_SAMPLE_INCREMENTS 32

#ifndef PI

#define PI 3.14159265358979323846

#endif

/* The path separator (D.M.) */

#if defined(__WIN32__) || defined(__OS2__)

# define PATH_SEP '\\'

# define PATH_STRING "\\"

#else

# define PATH_SEP '/'

# define PATH_STRING "/"

#endif